
Happy Present Meet
Schumann Myrthen Op.25 Song Cycle for High Voice and Piano
Kazuko Ozawa (Editor)
original keys for high voice
Myrthen Op.25
Widmung Op.25,1
Freisinn Op.25,2
Der Nussbaum Op.25,3
Jemand Op.25,4
2 Lieder aus dem Schenkenbuch im Divan Op.25,5-6
Die Lotosblume Op.25,7
Talismane Op.25,8
Lied der Suleika Op.25,9
Die Hochländer-Witwe Op.25,10
2 Lieder der Braut aus dem Liebesfrühling Op.25,11–12
Hochländers Abschied Op.25,13
Hochländisches Wiegenlied Op.25,14
Aus den hebräischen Gesängen Op.25,15
Räthsel Op.25,16
Zwei Venetianische Lieder Op.25,17-18
Hauptmanns Weib Op.25,19
Weit, weit! Op.25,20
Was will die einsame Träne Op.25,21
Niemand Op.25,22
Im Westen Op.25,23
Du bist wie eine Blume Op.25,24
Aus den östlichen Rosen Op.25,25
Zum Schluss Op.25,26
Appendix
Weit, weit! Frühfassung in der Neuen Zeitschrift für Musik
Du bist wie eine Blume Frühfassung für Elisa Meerti
Du bist wie eine Blume Frühfassung für Clara Wieck
1840 was Schumann’s famous “year of song” that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated “to his dear bride”, Clara Wieck-Schumann. Besides famous songs such as “Widmung”, “Lotosblume” and “Nussbaum” to texts by German poets, the collection also saw Schumann venture further afield, whether to the Scottish Highlands with settings of Robert Burns or to Italy for the “Venetian Songs” of Thomas Moore. Schumann specialist Kazuko Ozawa has examined the first edition of 1840 and all the manuscript sources. Among the dedicatory autograph copies she has also discovered interesting early versions of individual songs that are here published in an appendix. Our Urtext edition is rounded off with an extensive history of how Myrthen was composed. This volume is a superlative addition to G. Henle Verlag’s series of Robert Schumann’s song cycles.
작곡가 Schumann, Robert(1810-1856)
에디터 Kazuko Ozawa
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