
Happy Present Meet
Complete Organ and Keyboard Works, Volume IV.1: Variations on Song and Dance Tunes
Vorwort:
Quellen
Editionstechnik und Auffuhrungspraxis
Bemerkungen zu den Werken
Preface:
Sources
Editorial Method and Performance Practice
Commentary on the Works
Faksimiles - Facsimiles
Variationen gesicherter Authentizitat (Teil 1) / Variations of Certain
Authenticity (Part 1):
V 1 Balleth. del granduca in G
V 2 Esce mars. in C
V 3 Ich fuhr mich vber Rheinne. in a
V 4 Mein Junges Leben hat ein Endt in d
V 5 Paduana Lachrimae collorirt in a
V 6a Pavana Hispanica in g (J. P. Sweelinck & S. Scheidt)
V 6a Paduana. Hispania. in g (J. P. Sweelinck & S. Scheidt)
V 7 Pavan Philippi in G
Variationen ungesicherter Authentizitat / Variations of Uncertain
Authenticity:
V 11 Allemande de chapelle in C
V 12 Bergamasca. in G
V 13 Malle Sijmen in d
V 14 Passomeza. a 4 Voc[i] in G
Kritischer Bericht - Critical Commentary
The central importance of Jan Pieterszoon Sweelinck (1562–1621) for baroque keyboard music can hardly be overestimated. Siegbert Rampe’s scholarly performance edition is the first edition of Sweelinck’s complete keyboard works which differentiates between ‘works of certain authenticity’ and ‘works of doubtful authenticity’. For the first time Volumes III.1 and III.2 inclu de all chorale arrangements attributed to Sweelinck or handed down under his name. Volumes IV.1 and IV.2 include all dance and song variations.
편곡자 Rampe.S
작곡가 Sweelinck,Jan Pieterzoon

Reger Benedictus Op.59 No.9 for Organ Solo
Guillou Sagas Nos.1-6 Op.20 for Organ Solo
Reger Fantasia on the Chorale "A Mighty Fortress" Op.27 for Organ Solo
Guillou Sagas Nos.1-6 Op.20 for Organ Solo
Reger Fantasia on the Chorale "A Mighty Fortress" Op.27 for Organ Solo