Complete Organ and Keyboard Works, Volume IV.2: Variations on Song and Dance Tunes

Vorwort:

Quellen

Editionstechnik und Auffuhrungspraxis

Bemerkungen zu den Werken

Preface:

Sources

Editorial Method and Performance Practice

Commentary on the Works

Faksimiles - Facsimiles

Variationen gesicherter Authentizitat (Teil 2) / Variations of Certain

Authenticity (Part 2):

V 8 Soll es sein in C

V 9 Unter der Linden grune in G

V 10 Von der Fortuna werd ich getrieben in g (J. P. Sweelinck & S.

Scheidt)

Zugeschriebene Werke - Attributed Works:

V 15 Allemand. in F

V 16 Die flichtig Nimphae. in C

Anhang - Appendix:

Die flichtig Nimphae. Altr[amente]: in C (Anonymous)

Niederlandisch liedgen in C (Anonymous)

Ballet in C (Anonymous)

Kritischer Bericht - Critical Commentary

The central importance of Jan Pieterszoon Sweelinck (1562–1621) for baroque keyboard music can hardly be overestimated. Siegbert Rampe’s scholarly performance edition is the first edition of Sweelinck’s complete keyboard works which differentiates between ‘works of certain authenticity’ and ‘works of doubtful authenticity’.

For the first time Volumes III.1 and III.2 inclu de all chorale arrangements attributed to Sweelinck or han de d down un de r his name. Volumes IV.1 and IV.2 inclu de all dance and song variations.

편곡자 Rampe.S

작곡가 Sweelinck,Jan Pieterzoon

Widor Symphony No.5, in F Major Op.42 No.1 for Organ Solo

Bach Complete Organ Works Vol.5 : Preludes, Toccatas, Fantasias I

Brahms Works for Organ Solo (Revised)

Widor Symphony No.6, Op.42, No.2 for Organ Solo

Sweelinck Complete Organ and Keyboard works Vol.3 Part 2

Sweelinck Complete Organ and Keyboard Works, Volume IV.1: Variations on Song and Dance Tunes

Sweelinck Samtliche Orgel- und Clavierwerke II.2

Sweelinck Complete Organ and Keyboard works Vol.3 Part 2

Sweelinck Complete Organ and Keyboard Works, Volume IV.1: Variations on Song and Dance Tunes

Sweelinck Samtliche Orgel- und Clavierwerke II.2