Happy Present Meet
Beethoven Cello Sonata No.5 in D major Op.102, No.2 for Cello and Piano
Jens Dufner (Editor)
Ian Fountain (Fingering)
David Geringas (Fingering and bowing for Violoncello)
Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven’s late style. One reviewer of the original edition noted in 1818 that they “doubtless number among the most unusual and peculiar things written in a long while.” Proceeding from the established Classical schema, here Beethoven sounds out possibilities for changing and expanding sonata form, which make Opus 102 the capstone of his cello œuvre. The Sonata in D-major reflects Beethoven’s preoccupation with traditional counterpoint; if in the opening movement his ingenious combination of extremely different themes elicits admiration, then in the “Allegro fugato” section of the finale we witness how he conjures from one simple theme the highest contrapuntal art. The Urtext edition by Jens Dufner is based on his research for the Critical Report of the Beethoven Complete Edition and thus features a musical text at the highest scholarly level. In the preface and Critical Report, he outlines the genesis and source situation of the sonata. Ian Fountain and David Geringas provide the fingerings.
작곡가 Beethoven, Ludwig Van (1770-1827)
에디터 Dufner, Jens
[Eumpa] 키링 - 악기별 자수 키링 (플룻,클라리넷,바이올린,콘트라베이스,그랜드,호른,색소폰,16분음표)
Test Pieces for Orchestral Auditions - Clarinet Eb Clarinet and Bass Clarinet
[Eumpa] 키링 - 악기별 자수 키링 (플룻,클라리넷,바이올린,콘트라베이스,그랜드,호른,색소폰,16분음표)
Test Pieces for Orchestral Auditions - Clarinet Eb Clarinet and Bass Clarinet
[Eumpa] 키링 - 악기별 자수 키링 (플룻,클라리넷,바이올린,콘트라베이스,그랜드,호른,색소폰,16분음표)
Test Pieces for Orchestral Auditions - Clarinet Eb Clarinet and Bass Clarinet