Happy Present Meet
Couperin Pieces de clavecin for Harpsichord Vol.1
Editor Herlin, Denis
Premier Ordre:
Allemande l`Auguste
Premiere Courante
[Premiere Courante avec] Dessus plus orne sans changer la Basse
Seconde Courante
Sarabande la Majestueuse
Gavotte
Ornemens pour diversifier la Gavotte precedente sans changer la Basse
La Milordine Gigue
Menuet
Double du Menuet precendent
Les Silvains
Les Abeilles
La Nanete
Les Sentimens Sarabande
La Pastorelle
Les Nonetes
Les Bourbonnoise Gavote
La Manon
L`Enchanteresse
La Fleurie ou la tendre Nanette
Les Plaisirs de Saint Germain en Laye
Second Ordre:
Allemande la Laborieuse
Premiere Courante
Second Courante
Sarabande la Prude
L`Antonine
Gavotte
Menuet
Canaries
Double des Canaries
Passepied
Rigaudon
La Charoloise
La Diane
Fanfare pour la Suitte de la Diane
Le Terpsicore
La Florentine
La Garnier
La Babet
Les Idees Heureuses
La Mimi
La Diligente
La Flateuse
La Voluptueuse
Les Papillons
Troisieme Ordre:
Allemande la Tenebreuse
Premiere Courante
Second Courante
Sarabande la Lugubre
Gavotte
Menuet
Les Pelerines
Les Laurentines
L`Espagnolete
Les Regrets
Les Matelotes Provencales
La Favorite Chaconne
La Lutine
Quatrieme Ordre:
La Marche des Gris-vetus
Les Baccanales
La Pateline
Le Reveil-matin
Cinquieme Ordre:
Allemande la Logivriere
Premier Courante
Seconde Courante
Sarabande la Dangereuse
Gigue
La Badine
La Badine (1707)
La Tendre Fanchon
La Bandoline
La Flore
L`Angelique
La Villers
Les Vendangeuses
Les Agremens
Les Ondes
Explication des Agremens, et des Signes
Appendice / Appendix:
La Diane (1707)
2027년 한예종 입시곡 하프시코드1차 2번
(Second Ordre - Allemande la Laborieuse / Premiere Courante / Second Courante / Sarabande la Prude)
The high point of French clavecin music
The original edition of the first volume of Couperin’s “Pièces de clavecin”
(1713), supervised by the composer himself, is noteworthy for its extraordinary notational precision. It contains exacting performance instructions, for which Couperin created his own symbols. This new Urtext edition in a modern engraving retains the essential features of the original print, such as the distinction between curved ties and straight legato slurs, thereby giving today’s players fascinating insights into the special sound of this music.
The editor has, for the first time, closely analysed the various proofs of the original edition, some of which he discovered himself. He lists these alternative readings in the Critical Commentary.
The edition also presents conflicting versions of several pieces as well as an anonymous work possibly attributable to Couperin. A detailed Foreword, notes on period performance practice and facsimile illustrations round off this edition, making it indispensable to all admirers and performers of French clavecin music.
작곡가 Couperin, Francois (1668-1733)
에디터 Herlin, Denis
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