Happy Present Meet
The Techniques of E-Guitar Playing
Title:
The Electric Guitar in New / Art Music
Title:
Kapitel: The Instrument and its Amplification
Title:
Tone and Identity
Title:
Electronics
Title:
Amplification
Title:
Kapitel: Signal Processing
Title:
Gain Effects
Title:
Filter/Frequency Effects
Title:
Time-based Effects .
Title:
Other Modulation Effects
Title:
Utility Pedals
Title:
Effects Ordering Principles
Title:
Other Effects
Composer / Author:
Osmun, Douglas
Title:
Software Approaches: DSP
Title:
Changing Sounds while Playing
Title:
It Worked Yesterday: Obsolete Hardware?
Composer / Author:
Brew, Daniel
Title:
Interpreting Mauricio Pauly’s “Sky Destroys Dog”
Title:
Postlude: Making Reference
Title:
Kapitel: Tuning
Title:
Re-stringing
Composer / Author:
Deyoe, Nicholas
Title:
Scordatura and Common Bridge Types
Title:
Sonic Youth’s Alternate Tunings
Title:
Kapitel: The Left Hand
Title:
LH Muting
Title:
Vibrato Revisited
Title:
String Bending
Title:
Special Bending Techniques
Title:
Bend and Tap
Title:
Behind-the-Nut String Bends
Title:
“Koto Effect”
Title:
The “PUP” as Fingerboard
Title:
“Tamburo” Extended
Title:
Kapitel: The Right Hand
Title:
The Fingers
Title:
Right-Hand Tapping
Title:
Right-Hand Tremolo
Title:
Plectra
Title:
Notation Basics
Title:
Plucking
Title:
Palm Muting
Title:
Tambour and Other Percussive Actions
Title:
The Electric Guitar in New Music
Title:
Kapitel: Glissandi
Title:
Glissandi with Vibrato Arm
Title:
Slide / Double-Slide
Composer / Author:
Ciszak, Thomas / Josel, Seth F.
Title:
Kapitel: Harmonics
Title:
Microtonal Nomenclature
Title:
Harmonic Series per String
Title:
Multiphonics
Title:
Multiphonic Aggregates on Strings 6–1
Title:
Multiphonic Double Stops
Title:
Artificial Harmonics
Title:
Example Repertoire for Solo E-Guitar
Title:
Orchestrating with E-Guitar Harmonics
Title:
Kapitel: Feedback
Title:
Du Yun’s “In Our Daughter’s Eyes”
Title:
On Drones and Sustained Tones: The Ebow
Title:
A Magnetic Circuit and an Analogue System
Title:
Kapitel: Foreign Objects
Title:
Objects Explored
Title:
Electric and Battery-Operated Objects
Title:
Preparations
Title:
Kapitel: Lying: Some Notes on Unconventional Usage
Title:
Supine Guitar: Rowe, Frith, and Takayanagi
Title:
Examples of Supine Guitar in Contemporary Music
Composer / Author:
Vriezen, Samuel
Title:
Closed Circuits: Remko Scha’s “The Machines”
Title:
Kapitel: “All in the Family” – The E-Guitar’s Relatives
Composer / Author:
Buckley, Daryl
Title:
The Lap Steel Guitar
Composer / Author:
Hoban, Wieland
Title:
7- and 8-string Guitars
Title:
Baritone Guitar
Title:
Synthesizer / MIDI Guitar
Title:
Hex-Pickup and Variax Guitar
Composer / Author:
Førisdal, Anders
Title:
Quarter-Tone Electric Guitar
Composer / Author:
Hoban, Wieland
Title:
Fretless Guitar
Composer / Author:
Strootman, Aart
Title:
DIY Modification
Composer / Author:
Collins, Nicolas
Title:
The Backwards Electric Guitar
Composer / Author:
Tsao, Ming
Title:
The Electric Bass Guitar
Title:
Kapitel: Orchestrating with the Electric Guitar
Composer / Author:
Barrett, Richard
Title:
A Composer’s Reflection
Composer / Author:
Tsao, Ming
Title:
The Electric Guitar in My Life: on Helmut Lachenmann
Title:
Kapitel: Appendices
Title:
Sonic Youth’s Alternate Tunings
Title:
Multiphonic III+47 Across Different Instruments
Title:
Multiphonic VI +17 with Effect Pedals
Seth F. Josel, a pioneering guitarist, and electroacoustic composer Michelle Lou have put together this long overdue book – not least inspired by a new generation of soloists who, through their extraordinary skills, have paved the way to a new understanding of instrumental performance practice.
This book presents detailed explanations of what is technically possible on the instrument as well as the accompanying electronic components. Composers will especially benefit from the research and elaborate analyses of contemporary e-guitar literature that include many examples of the instrument in chamber and ensemble musical settings. Also shown are diverse ways in which contemporary music for the e-guitar has been notated.
The book explores various right and left hand techniques, harmonics, use of foreign objects, signal processing, amplification and the e-guitar’s relatives. Of particular interest are extensive charts of multiphonics, and effects. Online sound files document a variety of the techniques illustrated in the book.
About the authors:
As an ensemble player and soloist, Seth F. Josel has been involved in the first performances of more than 100 works and has been a guest performer with leading orchestras. He has collaborated and consulted closely with such composers as Mauricio Kagel, Helmut Lachenmann, Tristan Murail and James Tenney. From 1991 till 2000 he was a permanent member of the Ensemble musikFabrik. His first book for Bärenreiter, co-authored by Ming Tsao, “The Techniques of Guitar Playing” (BVK02243), was published in 2014.
Composer and performer, Michelle Lou, received degrees in double bass performance and composition from University of California San Diego and Stanford University. Her work has been presented at festivals such as MaerzMusik, Donaueschinger Musiktage, Wien Modern, Rainy Days, Ultima, Darmstadt, Klangwerkstatt, Timepans, and MATA. She teaches composition and electronic music at the University of California San Diego.
With contributions by Richard Barrett, Daniel Brew, Daryl Buckley, Juan Parra Cancino, Nicolas Collins, Thomas Ciszak, Yaron Deutsch, Nicholas Deyoe, Wieland Hoban, Douglas Osmun, Aart Strootman, Ming Tsao, Samuel Vriezen.
Interviews with Yaron Deutsch, Nicholas Deyoe, and Dan Lippel.
저자 Josel, Seth F.
Lou, Michelle