Happy Present Meet
Shoemaker Legato Etudes for French Horn Solo
Instructionals : Etudes and Exercises Methods and More
Musical Forms : Etude
Usages : School and Community Sacred
Brass - French Horn Method or Collection
Legato Etudes for Frech Horn, based on the vocalises of Guiuseppe Concone, is addressed to three specific problems faced by the French horn performer: interpretation of the legato phrase, extension of the low range, and familiarity with the bass (F) clef. Key signatures, time signatures, and dynamic markings have received careful consideration in relation to these problems.
Guiuseppe Concone의 보컬을 기반으로 한 Frech Horn을 위한 Legato Etudes는 프렌치 호른 연주자가 직면한 세 가지 구체적인 문제, 즉 레가토 프레이즈의 해석, 저음역의 확장, 베이스(F) 음자리표에 대한 익숙함을 다루고 있습니다. 조표, 박자표 및 동적 표시는 이러한 문제와 관련하여 신중한 고려를 받았습니다.
Song List (48)
No. 1 (Moderato)
No. 2 (Andante Cantabile)
No. 3 (Allegretto grazioso)
No. 4 (Andante con moto)
No. 5 (Moderato)
No. 6 (Allegretto amabile)
No. 7 (Andante Sentimentale)
No. 8 (Moderato)
No. 9 (Andante mesto)
No. 10 (Allegro moderato)
No. 11 (Andante cantabile)
No. 12 (Allegretto pastorale)
No. 13 (Allegretto scherzoso)
No. 14 (Andante con sentimento)
No. 15 (Allegro risoluto)
No. 16 (Andante cantabile)
No. 17 (Andante amabile)
No. 18 (Andante espressivo)
No. 19 (Allegro grazioso)
No. 20 (Lento cantabile)
No. 21 (Allegro brilliante)
No. 22 (Andante giusto)
No. 23 (Andante espressivo)
No. 24 (Adagio appassionato)
Etude No. 1 in D Major
Etude No. 2 in F Major
Etude No. 3 in G Major
Etude No. 4 in B flat Major
Etude No. 5 in G Major
Etude No. 6 in C Major
Etude No. 7 in E flat Major
Etude No. 8 in A Minor
Etude No. 9 in C Major
Etude No. 10 in F Major
Etude No. 11 in B flat Major
Etude No. 12 in G# Minor
Etude No. 13 in F Major
Etude No. 14 in E flat Major
Etude No. 15 in D Major
Etude No. 16 in B flat Major
Etude No. 17 in G Major
Etude No. 18 in E flat Major
Etude No. 19 in B Major
Etude No. 20 in C Major
Etude No. 21 in C Major
Etude No. 22 in F Major
Etude No. 23 in D flat Major
Etude No. 24 in A flat Major
작곡가 Shoemaker, John R.
