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Sheet Music

Happy Present Meet

Elementary Training for Musicians (Hindemith)
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Elementary Training for Musicians (Hindemith)


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Preface

Quarter-notes, half-notes, and whole-notes (and rests)

High, medium, and low tones

2/4 and 4/4 meters

G-clef, and tones f`, g`, a`, b`

Eighth-notes and sixteenth-notes

Tones e` and c`

3/4 meter, dotted half-notes, ties

Tones d` and c`; octave; ledger lines; one- and two-lined octaves

Slurs; syllable division; up-beats; dynamic accents

Dotted quarter- and eighth-notes (and rests)

Small octave; major scale; # and natural; diatonic and chromatic half-tones; key signatures

Time-signatures of simple meters having the denominators 1, 2, 8, and 16; indications for slow and moderate tempi; brevis and dotted whole-notes

Three- and four-lined octaves; b

Double-dotted notes (and rests); thirty-second- and sixty-fourth-notes; indications for fast tempi

Bass clef; great octave; intervals; perfect fifth and fourth; inversions

Metric accents; meter and rhythm; cundoctors` patterns for beating time; syncopation; compound meters

Contra octrave and sub-contra octave; major and minor thirds and sixths; transposition

Triplets and other divisions by factors not implied in the time-signatures

Major and minor seconds and sevenths

Indications for changing tempi

Meters with signatures having the numerators 5, 7, etc. and corresponding patterns for beating time

Alto clef; augmented and diminished intervals; prime or unson; x and bb; enharmonic transcription; circle of fifths, circle of fourths

Indications of dynamics and expressions

Musical Form

Tenor clef; intervals exceeding the octave; doubly diminshed or augmented intervals; minor scale (all forms); Church Modes; relative major and minor; signatures of minor keys

Abbreviations; rests longer than one measure; ornaments; marks of articulation; chromatic scale

Preface to Part Two

Dictations (incl. discussion of "absolute pitch")

Index

저자 Hindemith