Happy Present Meet
Schumann Violin Concerto in D minor for Violin and Piano (Schuenemann)
Editor: Schuenemann, Georg
Performance duration: 27' 0"
Year of composition: 1853
instrumentation: 2 Flöten · 2 Oboen · 2 Klarinetten · 2 Fagotte · 2 Hörner · 2 Trompeten · 2 Pauken · Streicher
‘You were often on my mind when I was writing’, wrote Robert Schumann to Joseph Joachim who had encouraged him to write this concerto. In view of Schumann’s illness, however, Joachim began to have his doubts about the value of the work. In his will, Joachim prohibited the first performance until the 100th anniversary of Schumann’s death in 1956. After detailed editorial work, the premiere was brought forward to 1937.
The theme of the middle movement probably formed the basis of Schumann’s Geistervariationen (‘Ghost Variations’), the character of the third movement is that of a grand polonaise. Yehudi Menuhin who performed the world premiere of the unedited version of Schumann’s solo part saw in this piece ‘the bridge between Beethoven’s and Brahms’ concertos’.
로베르트 슈만은 이 협주곡을 쓰도록 격려해준 요아힘에게 “내가 글을 쓸 때 당신이 자주 생각났습니다”라고 썼습니다. 그러나 슈만의 병을 고려하여 요아킴은 작품의 가치에 대해 의구심을 품기 시작했습니다. 요아킴은 그의 유언장에 따라 1956년 슈만 사망 100주년이 될 때까지 초연을 금지했습니다. 상세한 편집 작업을 거쳐 초연은 1937년으로 연기되었습니다.
중간 악장의 주제는 아마도 슈만의 Geistervariationen('유령 변주곡')의 기초를 형성했을 것입니다. 세 번째 악장의 성격은 웅장한 폴로네즈의 성격입니다. 슈만 독주곡 무편집본을 세계 초연한 예후디 메뉴힌은 이 작품에서 '베토벤과 브람스 협주곡을 잇는 가교'를 보았다.
작곡가 Schumann,Robert(1810-1856)
에디터 Schuenemann, Georg
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