Happy Present Meet
Haydn Pieces - Piano Variations for Piano Solo
12 Variations E flat major Hob.XVII:3
Adagio (appendix) F major Hob.XVII:9
Fantasia (Capriccio) C major Hob.XVII:4
Sauschneider capriccio G major Hob.XVII:1
Variations A major Hob.XVII:2
Variations C major Hob.XVII:5
Variations (appendix) D major Hob.XVII:7
Variations [Sonata - Un piccolo Divertimento] F minor Hob.XVII:6
[수록곡]
Capriccio in G "Acht Sauschneider müssen seyn" G major Hob. XVII:1
Variations in A A major Hob XVII:2
Variations in E flat E flat major Hob. XVII:3
Différentes petites pièces faciles et agréables (Artaria op. 46) (An original piece Hob.XVII:9 and nine pianotranscriptions)
Andante nach Hob.I:81II
Allegretto after an aria from "La vera costanza"
Adagio nach Hob.I:79II
Menuet nach Hob.I:85III
Romance nach Hob.I:85II
Allegretto after the overture from "La vera costanza"
Adagio in F Hob.XVII:9
Allegro after Introduzione from "La vera costanza"
Andante Hob.I:53II
Allegretto after Hob. III:41IV
Capriccio (Fantasia) C major Hob.XVII:4
Variations in C C major Hob.XVII:5
Sonata in f (Variations) f minor Hob.XVII:6
Adagio in G Urfassung von Hob.XV:22II
Largo assai in E nach Hob.III:74II
Poco adagio in G – after the variations about "Gott erhalte" Hob.III:77II
Andante in C nach Hob.I:94II
Adagio in G nach Hob.I:93II
Menuett in C nach Hob.I:97III
Appendix: Works of doubtful authenticity
Variations in A major Hob.XVII:2: Additional variations from the first edition
Variations in D Hob.XVII:7
The works in this volume show the development of keyboard instruments in an exemplary manner: the early works were intended for harpsichord, two of which were for an instrument with the so-called “Viennese bass octave”, which enabled the musician to play chords larger than a hand span with one hand. In our edition, these passages have footnotes with suggestions on how to play them. The pianoforte was the inspiration behind the later works. Haydn was also happy to arrange his own compositions for piano, as with the “Largo assai” from the “Reiterquartett”. Christine Schornsheim, a specialist in historical performance practice, provided fingerings for this completely revised and extended Urtext edition.
작곡가 Haydn, Joseph (1732-1809)
에디터 Gerlach, S/Theopold, H.M