Happy Present Meet
Debussy Sonata for Cello and Piano
Contents
· Einfuhrung:
· Hintergrunde
· Asthetik und Aufführungspraxis
· Zur Edition
· Introduction:
· Historical Background
· Aesthetics and Performance Practice
· Notes on the Edition
· Introduction:
· Arriere-plan historique
· Esthetique et traditions d'interpretation
· Notes sur l'edition
· Ubersetzung der Spielanweisungen / Translations of Performance Instructions
· Facsimiles
· Bibliography
· Sources
· Critical Commentary
Debussy’s “ Sonate pour violoncello et piano” was composed in the summer of 1915. It was the first of a planned set of six sonatas for various instrumental combinations of which Debussy only completed three. Imbued with that unmistakable Debussy charm this work has remained a standard in the repertoire since the premiere. It is without question the most performed cello sonata of the 20th century.
Regina Back’s Urtext edition for the first time makes use of Debussy’s sketches held in a private collection which contain not only an important comment by Debussy regarding the balance of the instruments but also clarify several musical ambiguities found in the autograph and first edition.
Bärenreiter’s new Urtext edition comes with a detailed preface (Ger/Eng/Fr) elaborating not only on the genesis of the composition and its first performances but also providing performance practice information. The edition is rounded off with a facsimile and a critical commentary.
편곡자 Back, Regina
작곡가 Debussy, Achille Claude (1862-1918)
에디터 Woodfull-Harris, Douglas
Bach Six Suites, S.1007-1012 for Cello Solo (Becker)
Beethoven Sonata No.3 in A Major Op.69 for Cello and Piano
Beethoven Sonata No.1 in F major, Op.5, No.1 for Cello and Piano
Beethoven Sonata No.2 in G minor, Op.5 No.2 for Cello and Piano
Boccherini Concerto No.9 in Bb Major G.482 for Cello and Piano (Gruetzmacher / Rose)
