Happy Present Meet
Rameau Complete Keyboard Works Vol.2
Sämtliche Clavierwerke, Band II
Die Bücher von 1726/27 und 1741
Nouvelles Suites de Pieces de Clavecin (1726/27):
Remarques Sur le Pieces de ce Livre
Allemande
Courante
Sarabande
Les trois Mains
Fanfarinette
La Triomphante
Gavotte: P.[e]r Double de la Gavotte / 2.me Double / 3.me Double / 4.me Double / 5.me Double / 6.me Double
(Rameau Gavotte with 6 Variations in A minor)
Les Tricotets. Rondeau
L`jndifferente
Menuet
2.e Menuet
La Poule (암탉)
Les Triolets
Les Sauvages
L`Enharmonique
L`Egiptienne / L`Egyptienne (이집트인)
Pieces de Clavecin en Concerts (1741). adaptees au clavecin par Jean-Philippe Rameau & Siegbert Rampe:
Avis aux concertans
Avis pour le clavecin
Avis pour la viole
Premier Concert:
"La Coulicam" Rondement
"La Livri" Rondeau gratieux (Version originale de Rameau)
"Le Vezinet". Gaiment, sans vitesse
Deuxieme Concert:
"La Laborde". Rondement
"La Boucon Air", gracieux
"L`Agacante" Rondement (Version originale de Rameau)
Premier Menuet
III.e Concert:
"La Lapopliniere" Rondement
"La Timide" (Version originale de Rameau): P.er Rondeau gracieux / 2.e Rondeau
P.er Tambourin
2.e Tambourin en Rondeau
IV.e Concert:
"La Pantomime". Loure vive
"L`indiscrette" Rondeau (Version originale de Rameau)
"La Rameau"
Cinquieme Concert:
"Fugue La Forqueray"
"La Cupis". Rondement
"La Marais"
Annexe - Appendix - Anhang: "L`indiscrette" (Version de Siegbert Rampe)
Compte rendu critique - Critical Commentary - Kritischer Bericht
This is the first complete edition of the keyboard works of Jean-Philippe Rameau to incorporate all the printed collections of harpsichord music published under his supervision as well as his clavier arrangement of Les Indes Galantes .
It also includes many new insights into performance practice (e.g. the handling of repeat signs in the original prints) and presents the music entirely in modern clefs. The result is a reliable and unique edition for today’s performers that does full justice to recent findings in historical performance practice.
For the first time, all accidentals and expression marks are reproduced exactly as they appear in the sources. All of Rameau’s written comments – a key source on performance practice – are reproduced in the original French with translations into German and English.
Rounding off the edition are instructive facsimiles and a detailed preface in which the editor, the celebrated harpsichordist and conductor Siegbert Rampe , discusses the sources, editorial method, and important aspects of performance.
작곡가 Rameau,Jean-Philippe(1683-1764)
에디터 Rampe, Siegbert
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