Lubeck New Edition of the Complete Organ and Keyboard Works Vol.1

Instrumentation :Organ, Harpsichord, Piano

Vorwort

Quellen

Editionstechnik und Auffuhrungspraxis

Bemerkungen zu den Werken

Ornamentik, Dispositionen

Faksimilia

Praeludium ex C# LubWV 10

Praelamb[ulum] et Fuga ex Cb LubWV 11

Ich ruff zu dir Herr Jesu Christ a 2 Clav: e ped: LubWV 13

Anhang: Die Clavierwerke aus der Handschrift `S.M.G. 1691`

Menuet in C

l`Allemand in C

March in G

Menuet in G

Aria. Mit Geduld will ich ertragen in g (Reinhard Keiser)

Air Gavott in d

Menuet in d

Englischer Winck=Tantz od[er] Gique in C

Menuet in C

Folie d`Espagne

March in C

Menuet in C

Aria. Watt wart uns Armen Deerens suhr in F (Reinhard Keiser)

Bouree in D

Menuet in D

March. V.L. le Pere in F (Vincent Lubeck Senior, LubWV 22,1)

Menuet. V.L. le Pere in F (Vincent Lubeck Senior, LubWV 22,2)

Gavotte. Sa, sa, sa, die Gesundheit in G (Reinhard Keiser)

Entree in g

Menuet in g

Air in D

Trompeter-Stuck in C

March in D

Bouree in D

Menuet in D

Suite in a (Vincent Lubeck Senior LubWV 21)

Menuet in B

March. V.L. le jeune in B (Vincent Lubeck Junior)

Menuet. V.L. le jeune in B (Vincent Lubeck Junior)

Passepied in A

Menuet in A

Menuet in g

March in D

Menuet in G

Menuet in d

Menuet in G

Menuet in D

Praeludium ex D. V.L. le Pere in d (Vincent Lubeck Senior,

LubWV 19,1)

Ciaconne. V.L. le Pere in d (Vincent Lubeck Senior, LubWV 19,2)

At the beginning of the 18th century Vincent Lübeck (1654–1740) was one of the leading composers of Northern Europe . Arp Schnitger , the organ builder whose instruments defined Lübeck’s ideal sound, even called him the “world-famous organist”. Stylistically, Lübeck’s works stand on a par with those of Dietrich Buxtehude and the Northern German organ school.

This two-volume Urtext edition is the first to present all currently accessible organ and clavier works by Vincent Lübeck senoir and junior. A number of unknown compositions whose sources had previously been ignored appear here for the first time in print. Special attention is devoted to the manuscript S.M.G. 1691, once thought to be lost.

Besides five works by the elder Lübeck , it also contains the only known compositions of his like-named son (1684–1755) as well as 38 clavier pieces and 22 chorale settings.

All pieces originated in Lübeck’s circles in Hamburg and are published in the appendices of the two volumes. The present edition strictly follows the surviving source material. Besides a critical report, each volume contains a lengthy preface with sections on the sources, ornamentation, editorial method and performance practice. Facsimiles round off a publication of interest to performers and scholars alike.

작곡가 Lubeck, V(1654-1740)

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