
Happy Present Meet
Bach Noteboof for Anna Magdalena Bach 1725 for Piano Solo
Urtext from the “New Bach Edition”
Preface (Ger/Eng) on the composition of the work and sources
Includes notes on interpretation
Edition with fingering also available (BA 5242)
Instrumentation in detail: Harpsichord, Piano
Contents
Menuet In G Major, BWV Anhang 114
Menuet In G Minor, BWV Anhang 115
Menuet In G Major, BWV Anhang 116
Menuet In Bb Major, BWV Anhang 118
Rondo Bb Major, BWV Anhang 183
Polonaise In F Major, BWV Anhang 117a, 117b
Menuet In F Major, BWV Anhang 113
Polonaise In G Minor, BWV Anhang 119
Chorale - Wer Nur Den Lieben Gott Lasst Walten, BWV 691
Untitled Movement In F Major, BWV 510
Chorale - Gib Dich Zufrieden Und Sei Stille, BWV 511 & 512
Minuet In A Minor, BWV Anhang 120
Minuet In C Minor, BWV Anhang 121
March In D Major, BWV Anhang 122
Polonaise In G Major, BWV Anhang 123
March In G Major, BWV Anhang 124
Polonaise In G Minor, BWV Anhang 125
Aria - So Oft Ich Meine Tobackspfeife, BWV 515, 515a
Menuet Fait Par Mons. Bohm
Musette In D Major, BWV Anhang 126
March In Eb Major, BWV Anhang 127
Polonaise In D Minor, BWV Anhang 128
Aria - Bist Du Bei Mir, BWV 508
Aria Fur Klavier, BWV 988,1
Solo Per Il Cembalo In Eb Major, BWV Anhang 129
Polonaise In G Major, BWV Anhang 130
Prelude In C Major, BWV 846,1
Untitled Movement In F Major, BWV Anhang 131
Aria - Warum Betrubst Du Dich, BWV 516
Recitativo - Ich Habe Genug, BWV 82
Aria - Schlummert Ein, Ihr Matten Augen, BWV 82
Chorale - Schaffs Mit Mirr, Gott, BWV 514
Menuet In D Minor, BWV Anhang 132
Aria Di Giovanni - Willst Du Dein Herz Mir Schenken, BWV 518
Chorale - Dir, Dir, Jehova, Will Ich Singen, BWV 299 (solo and 4-voice versions)
Chorale - Wie Wohl Ist Mir, O Freund Der Seelen, BWV 517
Aria - Gedenke Doch, Mein Geist, Zurucke, BWV 509
Chorale - O Ewigkeit, Du Donnerwort, BWV 513
Facsimile - Handwriting Of Anna Magdalena Bach
Rules For Figured Bass I
Rules For Figured Bass II
Sonata In G Major (For No. 19)
Sonata In Eb Major (For No. 27)
“A mendicant woman from the Haynstrasse, aged 59 years, Anna Magdalena, née Wilckin, widow of Mr. Johann Sebastian Bach, cantor at the St. Thomas School” – thus reads the entry dated 29 February 1760 in the Leipzig "Ratsleichenbuch” (City Register of Deaths) for a woman whose name has become known throughout the world thanks to the two music books put together for her by Johann Sebastian Bach.
Bach himself opened the book with two of the large Partitas subsequently published in the first part of the "Clavierübung”; the rest of the contents was determined by Anna Magdalena. On the whole, these are short pieces of “galanterie”: minuets, polonaises, marches, compositions by the elder children and attempts by the younger ones, little pieces, which she copied out of the family guest book and which had been written there more or less as tokens of friendship by the many visitors in the Bach home.
"하인슈트라세 출신의 59세 구걸하는 여인, 안나 마그달레나(결혼 전 성은 빌킨), 요한 세바스티안 바흐(성 토마스 학교 성가대 지휘자)의 미망인" - 1760년 2월 29일 라이프치히 시립 사망 등록부에 기록된 내용입니다. 이 여인은 요한 세바스티안 바흐가 그녀를 위해 편찬한 두 권의 악보집 덕분에 전 세계적으로 이름이 알려지게 되었습니다.
바흐는 직접 이 악보집의 첫 부분에 훗날 《클라비어위붕》 1부에 수록될 두 개의 대규모 파르티타를 수록했고, 나머지 내용은 안나 마그달레나가 정했습니다. 대체로 이것들은 짧은 "갈랑테리" 작품들이다: 미뉴에트, 폴로네즈, 행진곡, 큰 아이들이 작곡한 곡들과 어린 아이들이 시도한 곡들, 바흐 집안의 많은 방문객들이 우정의 표시로 방명록에 적어 놓은 것을 그녀가 베껴 쓴 작은 곡들이다.
작곡가 Bach,Johann Sebastian (1685-1750)
에디터 Dadelsen, Georg von

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