Happy Present Meet
The Interpretation of Early Music - New Revised Edition
Contents.
I. Our Changing Attitude
II. Prospects for Authenticity
III. Authenticity and Personality
IV. Authenticity in Early Opera
V. Past and Present
VI. Present and Future
BOOK ONE : STYLE
I. The Approach to Early Music
II. The Interplay of Styles
III. Music as Expression
BOOK TWO : THE NOTES
PART ONE : ACCIDENTALS
IV. Accidentals in Early Music
V. Interpreting Written Accidentals
VI. Adding Unwritten Accidentals
PART TWO : EMBELLISHMENT
VII. The Place of Embellishment
VIII. Sixteenth-century Ornamentation
IX. Early Baroque Ornamentation
X. Later Baroque Ornamentaion
XI. Post-Baroque Ornamentation
XII. The Cadenza
XIII. Ornaments
XIV. A(i). The Appoggiatura Proper
XV. A(ii). The Double Appoggiatura
XVI. A(iii) The Slide
XVII. A(iv) The Acciaccatura
XIX. B(i) Tremolo and B(ii) Vibrato
XX. B(iii) The Trill
XXI. B(iv) The Mordent
XXII. C(i) Passing Notes and C(ii) Changing Notes
XXIII. C(iii) The Turn
XXIV. C(iv) Broken chords, C(v) Broken notes and C(vi) Broken time
XXV. D. Compound Ornaments
PART THREE : ACCOMPANIMENT
XXVI. Figured Bass
XXVII. The Figuring
XXVIII. Going Beyond the Figures
XXIX. The Texture of the part
XXX. The Sturcture of the Part
XXXI. Instrumentas of Accompaniment
XXXII. The Good Accompanist
BOOK THREE : THE EXPRESSION
PART ONE : GENERAL
XXXIII. Expresion in Early Music
XXXIV. REpeat and Omissions
PART TWO : TEMPO
XXXV. Tempo in Early Music
XXXVI. Time-Words
XXXVII. Dance Tempos
XXXVIII. Time-Signatures
XXXIX. Pulse
XL. Variations of Tempo
PART THREE : RHYTHM
XLI. Rhythm in Early Music
XLII. Note-Values
XLIII. Dotted Notes
XLIV. Other Sharpened Rhythms
XLV. Inequality
XLVI. Triplet Rhythm
PART FOUR : PUNCTUATION
XLVII. Phrasing
XLVIII. Articulation
XLIX. Volume
L. Balance
LI. Accentuation
BOOK FOUR : INSTRUMENTS
LII. Instruments in Early Music
LIII. Pitch
LIV. Temperament
LV. The Voice
LVI. The Viols
LVII. The Violins
LVIII. Plucked Instruments
LIX. The Wind Department
LX. Flutes
LXI. Reeds
LXII. Brass
LXIII. Percussion
LXIV. Keyboards
LXV. Choirs and Orchestras
LXVI. Acknowledgements and Conclusion
Appendices
저자 Robert Doninton
Structural Hearing - Tonal Coherence in Music -
The New Harvard Dictionary of Music (Fourth Edition)
Haydn, Mozart and the Vienneses School 1740-1780
The Compleat Mozart - A Guide to the Musical Works of W.A.Mozart
Renaissance Music - Music in Western Europe, 1400-1600
Introduction to Contemporary Music - Second Edition
Tchaikovsky - The Final Years 1885-1893
Music in the Age of the Renaissance - Hardcover